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ARTISTS

Dan Nusinov    Eitan Portnoy    Yael Avi-Yonah    Anthony Behar    Ron Alon Cohen    Yitzchok Moully    Avi Meir


Avi Meir

Avi Meir (Israeli, b. 1973) moved to New York more than a decade ago. He imagined an adventure of opportunities beyond his homeland of Israel. Born with business acumen and a natural leader, Avi is an accomplished entrepreneur, at one time running an iron works production company. Today, he directs a growing business in design and construction. Designing and creating involves functional objects, like furniture, and small to large scale projects in space planning and building. His way of envisioning projects are with quick freehand sketches. His traditional approach to come up with ideas for design and art comes with a sense of instant response to execute it, can be discovered anywhere from a distinctive piece of woodbecoming furniture, details of glass doors, to a full scaled staircase fabricated with steel. Believing in the
structure of his work, immediate and spontaneous, is his art coming to life with responsibility, unity and understanding. This is the imagined adventure he observes in daily labor. Constantly enterprising and ambitious, Avi continues to find a ceaseless passion to practice with art. Within his labors, works of art include photography and sculpture. When weather permits, he skydives and other times, he devotes to handwork creation of his sculpture art, Veshavu Banim Le’Gvulam, which is dedicated to kidnapped Israeli soldiers and commemorated to the 60th year of Israel’s independence. When asked how creating this artwork feels to him, he replied, “…this sculpture [is] my celebration of honor and anguish towards [Israel]. I endure the uncertainty…every day, but also revel in the survival of a nation amidst conflict and controversy.”
 
The idea of Veshavu Banim Le'Gvulam was drawn from a reaction to events stirring society in Israel, most notably the soldiers kidnapped in recent warfare. Veshavu banim le’gvulam means the children will return to their own border” in Hebrew, originating from a verse in Jeremiah (31:15-17): There is hope for your future, says G--, and your children shall come again to their own border.


Yitzchok Moully

Like his art, Chabad-Lubavitch Rabbi Yitzchok Moully is composed of many layers.

At a recent showing of his work at a small, brightly lit gallery in Lambertville, N.J., Moully – who weaves through the large crowd of mingling art fans and community members – stands out in a bright pink yarmulke, orange socks and dark suit accentuated with a green tie. His paintings, likewise, cast a sea of color upon the patrons of the ArtisZen Arts gallery who came to the post-Shabbat Saturday night event.

"Yitzchok has a fantastic eye for color," says David Golderg, who describes himself as an early fan of Moully. "He captures moments in time on canvas."

Although influenced by many sources, Moully, who might be better known by some people as the youth director at the Chabad Jewish Center in Basking Ridge, N.J., prefers the silkscreen medium and use of every-day objects that defined American pop art in the 1960s. ArtisZen owner Brian Hanck compared Moully's technique to that of Andy Warhol, but whereas the iconic artist featured cans of soup and pictures of famous people, Moully relies on images from Chasidic Jewish culture: His work displays Chanukah dreidels, kiddush cups, rabbis praying and Chasidim dancing.

One of his most impressive pieces, Williamsburg, N.Y., features New York City's Williamsburg bridge as a divider between a Brooklyn neighborhood's two worlds – a Chasidic community on one side and an artist's colony on the other. You can clearly see in the painting a metaphor for Moully's unique station in life.

"I feel comfortable in both worlds," says Moully. "When I go to galleries, it gives me energy to paint, to express my message.

"And then I go find a minyan to pray with and a kosher pizza shop to eat at."

The 29-year-old photographer and father of three never attended art school, but has been painting for about three years. He uses his own digital photographs, which he hand prints and screens above two layers of painted background. Two years ago, he began exhibiting in galleries and community centers in New Jersey, New York and Pennsylvania. After the ArtisZen showing – located across the Delaware River from the frequent Warhol haunt of New Hope, Pa. – Moully's work will be on display next month at the J. Klaynberg Gallery in New York. An artist's reception there will take place April 3.

Moully's local Jewish community were his first supporters. After he completed his first piece, he brought it to local professional artist Marian Slepian. She was immediately impressed.

It was "infused with all the warmth and joy that Chasidim have," says Slepian, one of the guests at ArtisZen. In addition, his style of photo reproduction done entirely by hand "is so new that you can't classify it yet. It's a new world to me."

ArtisZen owner Brian Hanck is thrilled with the evening's turnout and believes Moully will find success both within the Jewish community and beyond. He says many non-Jewish customers have purchased copies of Moully's Tree of Life, which can be appreciated universally.

"I like to think I'm bringing the next Warhol character into the community," notes Hanck. "People get [Moully's work]. They smile when they see his stuff. He's applying the Warhol tradition and making it his own."

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Ron Alon Cohen

Born in Haifa in 1957. Ron studied at Bezalel and was influenced by the old Bezalel art of its founders - the opposite of the usual modern artistic trend. At the age of 20 he became religious and at 30 moved to Safed. The landscapes that are seen in his pictures arouse longings for the beautiful and holy Biblical land of Israel.
 


Anthony Behar

Born in London England, Anthony Behar grew up in Paris and began taking pictures at the age of 9 when he received a Polaroid camera as a gift from his parents.  Moving to New York City in 1977 and enthralled with taking pictures, he started a dog walking service in an Upper East Side building with 609 apartments and quickly raised enough money to purchase his first “real” camera, a Nikon FE. 
 
At 15 he took his first international photography trip to Scandinavia, and at 16 landed a 3-day internship with a Vogue photographer, which led to a 10 yr working relationship and lifelong friendship.  After 12 years of being a photographer’s assistant, he returned to college and earned a Bachelors’ degree in Journalism and then quickly went back to his photographic roots after graduation, to become Studio Manager and Photo Archivist to celebrity fashion photographer.  While on a book project for the International Committee of the Red Cross (ICRC), Tony began to see a greater value in documentary and reportage work than in fashion, and left the fashion world to work as a photojournalist. 
 
As a photographer Tony has worked on such projects as:
• Emigrant life: a year long photo essay on a Chinese family in Queens New York as they adapt to American culture and struggle with economic hardships.
• Banda Aceh: where he met up with the ICRC to document the plight of Tsunami survivors on the 1 year Anniversary.
• Social & Cultural Dichotomies: imagery which compares & contrast the perceived similarities of Japanese, Indonesian and Chinese culture, but which are offset by the scale of their economies.
 
Each project’s theme consists of exploring cultural pillars such as food, sex religion and relevant rituals, protocols and contrasting mores, and the adaptive methods to a new environment.
 
A seasoned world traveler, and speaking 5 languages, Tony is currently living and working in New York City, syndicated through WireImage and FilmMagic and does high-end celebrity digital retouching for Getty Images between assignments.


Dan Nusinov

Dan Nusinov was born and raise in Israel. He studied at the Art Student League of New York.
Dan's paintings convey images of people and their relationship to their environment through solitude and introspection.


Eitan Portnoy

The paintings of Eitan Portnoy's draw much of their inspiration from Byzantine mosaics and icons, Persian miniatures, and arabesques.
 
He is the wandering raconteur, weaving together different epochs and religions; creating contemporary images whose symbols and characters are plucked from ancient myths and legends, and the stories of the bible.
 
In 2006, New York’s UJC chose Eiitan Portnoy’s painting for the cover of all its stationary
 
History
An ex-television news broadcaster, his education includes: Cinema & Theatre Studies at Tel Aviv University (1978 –80).
Commercial Art at New York Tech, NYC
Photography & Painting at the School of Visual Arts
(1981- 82)
Religion & Theology, Jerusalem
Etching & Lithography at City & Guilds of London Art School (1994 – 95).
Eitan Amir currently lives and works in London.
 
Quotes
“Eitan Portnoys work is a contemporary documentation of the experience and symbols of Jewish religion and kabala”
 
                                                  Anat Koren, Alondon  magazine
Exhibitions
Eitan has exhibited at the following venues:
1982 - Spring Street Gallery, New York Group Show
1989 - Horace Richter Gallery, Jaffa Group Show
1993 - Beit Shamir, Ramat Hasharon Solo Show
1994 - Beit Zamir, Ramat Hasharon Solo Show
1995 - Peer Gallery, Tel Aviv Solo Show
1996 - Peer Gallery, Tel Aviv Group Show
1998 - Goethe Institute, Tel Aviv Solo Show
1999 - Thomas Corman Arts, London Group Show
1999 - Engel Gallery, Tel Aviv Group Show
2000 - Tel Aviv Opera House Group Show
2001 - Mapu East Gallery, Tel Aviv Solo Show
2002 - Zman LeOmanout Gallery, Tel Aviv Group Show
2003 - Engel Gallery, Tel Aviv Group Show
2004 - Thomas Corman Arts, London Group Show
2006 - (9th & 10th December) St. Stephen's, Pond Street, London Solo Show

 


Yael Avi Yonah


Yael Avi was born in Jerusalem, a graduate of Bezalel Academy of Art. Her father was the distinguished archaeologist and historian, Michael Avi-Yonah, who provided her with the rich background in art, archeology and bible, which emanates from her works. Thousands of her prints and serigraphs on Jerusalem landscapes and biblical subjects have been sold throughout the world. Her series of oil portraits of 15 great contemporary Israeli authors was exhibited at the Jerusalem International Book Fair in 1984 and abroad. In 1987 she completed a series of paintings on the 12 Tribes for the Yad L'Mordechai synagogue in Jerusalem. Since 1988 she has been working on a series of works in oil and mixed media on canvas and wood in a new and original style of anaglyfic art . Her themes are inspired by Jewish mysticism and the Kabbalah and include the Angels of the Divine Chariot , the Four Supernal Worlds , Jerusalem in the Messianic Age , the New City and other prophetic visions. Her works were on display in the Jewish Museum in London, as well as galleries in Israel and abroad. She lives in Jerusalem with her husband, the artist, Dov Lederberg.

ART INSPIRED BY KABBALAH AND SCIENCE

Dissatisfied with the limitations imposed by traditional canvas, Yael and Dov have created a body of work which attempts to portray the infinite reality of the universe, as expounded upon in Kabbalah teachings. The artists' colorful paintings, serigraphs & prints teem with life. Their art shimmers with inner movement, as waves of intense color radiate from modalities of supernal states.

Dov Lederberg grew up in the Philadelphia area and began his involvement in the arts at Haverford College and the Columbia University Graduate School of Fine Arts, concentrating on the experimental film, and became an active filmmaker within The New American Underground. One of his works, entitled "Eargogh", an interpretation of the life of Vincent Van Gogh starring Jack Smith and Marie Menken, was widely screened at the time, including the Canyon Cinema in Berkeley. Between 1970 and 1994 he worked as an independent film director, mainly for Israel Television, making documentary and educational films, including some of the best documentaries ever made on Reb Schlomo. Since 1983 Dov has been deeply involved in using new art mediums and techniques to express the subtle ideas of Jewish mystical teachings and meditation. He has created many original paintings and prints inspired by the Hebrew letters in the scribal style, as well as fractal visions of angelic beings, the Dynamics of Marriage and Kabbalah Mandalas. His current work is involved with finding gestalt paradigms for Dialogues.. His paintings and video art are exhibited in museums and galleries in the United States and Israel.

Yael Avi-Yonah was born in Jerusalem and is a graduate of Bezalel Academy of Art. Her father was the distinguished archaeologist and historian, Michael Avi-Yonah, who provided her with the rich background in art, archeology and bible which emanates from her many works on Jerusalem landscapes and biblical themes. Her series of oil portraits of 15 great contemporary Israeli authors was exhibited at the Jerusalem International Book Fair in 1984 and abroad. In 1987 she completed a series of paintings on the 12 Tribes for the Yad L‘ Mordechai synagogue in Jerusalem. Since 1988 she has been working on a series of works on canvas in a new and original style of anaglyfic art. Her themes are inspired by Jewish mysticism and the Kabbalah and include the Angels of the Divine Chariot, the Four Supernal Worlds, Jerusalem in the Messianic Age and other prophetic visions. Her works have been on display in the Jewish Museum in London, as well as galleries in Israel and abroad.

Artists’ Portfolios & Reviews Online: www.art.net/TheGallery/Vision/ 

 

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